Phaeton Publishing is committed to excellence in book content, illustration, and production, and specialises in the publication of engaging books (both print and e-formats) of international interest for thoughtful readers. It was established in 2007 and is based in Dublin, Ireland.
French Cinema in Close-up — La Vie d'un acteur pour moi
edited by Dr Michaël Abecassis, University of Oxford,
with Marcelline Block, Princeton University
ISBN (pbk): 9781908420114
Chosen (March 2016) as one of the Best Reference Titles of 2015 by Library Journal, New York —“There may be other biographical dictionaries of the French cinema, but none with such engagingly written biographies as this one. …” —Library Journal, New York, (2016).
An insight into French film through its actors : illustrated profiles of 175 actors and actresses of the French Cinema, with caricatures by Jenny Batlay and Igor Bratusek.
Illustrated Mini Dictionary of French Actors & Actresses
— Mini dictionnaire des acteurs et actrices français.
With a comprehensive Index (and descriptions) of 2,200 French, Continental, and English-language Films.
First complete Translation into English, by Paul SOHAR and László BAKOS.
In the decade before the Great Famine, the suffering caused by poverty in Ireland was far worse than anywhere else in Europe – unnecessarily so, it seemed to many. In an account originally published only in Hungarian [in the first volume of Budapest Journal ('Budapesti Szemle')] in 1840, the Hungarian statesman József Eötvös described the horrific conditions that existed in Ireland of the 183os, analysing why the life of the Irish poor should be so much harder and more perilous than the life of the English poor, under the same government.
An illustrated dual-language book with English and Hungarian on facing pages.
'…The Irish tenant does not know comfort. His home is a mud hut, with glassless window opening and no chimney. His children and wife cover their naked bodies in rags, and their clothes are so poor that in many places the priest holds two Masses on Sundays, so that one part of the household, after returning from Mass, can hand over their clothes to the others, so that they can go to church in them as well. …'
CHRISTMAS 2013 [—Herbert Place]
'…Then, of course, came The Crash. As things turned out, we never had a Christmas decoration or Christmas meal in that damn house…'
GEORGE WASHINGTON'S BED [—Upper Pembroke Street]
'…"It's a wasteful business, mortality," she said. "Life dupes us into going to so much trouble about things – this house, for instance, you have it so perfect…"
Paul shrugged. "On the other hand, what else would I have been doing?"…'
GRACE KELLY'S DRESS [—Merrion Square]
'…The room looked extraordinary – even more dramatic and lost in time than I remembered. But the eerie power I imagined it had over me – well, that was real, and I felt it then. When I walked through the door, the past came at me with such a rush that it might have ruffled the chiffon of my dress…'
Confident French —A Dictionary of Contemporary Usage
by Dr Michaël Abecassis, The University of Oxford
ISBN (pbk): 9781908420183
An easy guide to the niceties and pitfalls of the French language — a sure cure for doubt.
Amour is masculine in the singular and feminine in the plural.
Amour was feminine in Old French.
Ils regrettent plus que tout leurs amours perdues. [They regret their lost loves more than anything.]
In the singular, however, it is now used as a masculine noun, with reference to le Dieu Amour.
Cupidon le dieu de l’amour a décoché sa flèche pour lui percer le cœur. [Cupid, the god of love, shot his arrow to pierce his/her heart.]
BENJAMIN / CADET
Benjamin: youngest child of a family or group.
Cadet: child who is not the oldest of his/her family; child immediately after the oldest.
Elle est la benjamine.
Il est le cadet de la famille. …
Translated by Paul Sohar
ISBN (pbk): 978-1-908420-24-4
Containing the Irish-themed works of Ferenc Martyn, and works (from his 1926-1939 period in Paris) which he donated to Ireland.
Also including his family biography (from 18th century Ireland to 20th century Hungary), along with appreciations of his art, with contributions by Ferenc Lantos (his pupil and a major Hungarian artist) and by Marianne Polgár (the companion of his final years), and with writings by Ferenc Martyn himself.
A colourful celebration of the life and works of Hungary's foremost abstract artist, whose great-great-grandfather emigrated from Castlebar, County Mayo, in 1790.
Cover Paintings by Ferenc Martyn:
Írországi emlék hárfával /Memory of Ireland with Harp (by kind permission of the Martyn Ferenc Múzeum in Pécs, Hungary), and
Írországi emlék, térképpel /Memories of Ireland, with Map (by kind permission of the Rippl-Rónai Múzeum in Kaposvár, Hungary).
In 1836, the British Government received a report on Irish poverty, which, if put into effect, would have changed Irish history. The deadly Great Famine of the 1840s would not have happened, and the millions who died horribly in that decade would have survived.
Instead of acting on the report, however, the shocked London Government suppressed it immediately.
That remarkable, and now almost unknown, report came from Dr Richard Whately, Anglican Archbishop of Dublin, who, after making a prolonged and unprecedented study of Irish poverty, decided to ignore the Government’s wishes, and recommended instead a radical transformation of Ireland – at the expense of landlords and the Empire.
After criticizing the English for using its Penal Laws to reduce the Catholic Irish to a state of poverty unknown anywhere else in Europe, he proposed they should redress this by an extraordinary programme of investment in Ireland: building houses, creating a model farm in every parish, extensive public works, education, elaborate assistance at ports of departure and arrival for those who wanted to emigrate – and much more.
The background to this surprising and brave report (made a decade before the Great Famine, and in plenty of time to save Ireland from the consequences of it) make one of the most heartbreaking – and least known – stories in Ireland’s sad history.
"…totally compelling … incredibly gripping, page-turning, and a huge plot twist as well.
I thoroughly, thoroughly, recommend it." —Janice Forsyth, The Culture Studio, BBC Radio Scotland (30th April 2014)
In the last years of the Cold War, a private club is a magnet for the elite of an Eastern European city. They keep one another's secrets, even the truth about a brutal murder. When a young journalist learns too much, he has to flee the country.
From a refugee camp he reaches Canada—a different world on the surface, yet the forces that destroy or enrich lives are the same as in his homeland: infatuation, jealousy, wealth, greed, and, for the lucky few, love.
A gripping murder mystery, this is also a deeply perceptive tale of power and money, of fidelity and infidelity.
Cover image from a drawing by Hungarian artist Ferenc MARTYN.
No Matter Where I Am, I See the Danube by Thomas Kabdebo
ISBN (hardback): 9781908420046
ISBN (ebook): 9781908420053
A gripping personal story that is also the dramatic story of 20th century Hungary.
Extremely Entertaining Short Stories by Stacy Aumonier
ISBN (hbk): 9780955375651, (pbk): 9780955375637
ISBN (ePub & Kindle eBook): 9780956105554
Stories of WORLD WAR I and the 1920s
'… in England, my first trip there in 25 years … I bought the new Phaeton collection of Extremely Entertaining Short Stories by Stacy Aumonier … Back now in New York, it's a heavy volume to cart back and forth as subway reading, but it's well worth the weight!' —Margaret Heilbrun, Library Journal, New York, 2009.
' … The recently published collection of Aumonier's Extremely Entertaining Short Stories has certainly helped bring this overlooked talent to a new audience. Aumonier's stories are not only hilarious, full of wit and genuine warmth for his subjects, but also beautifully constructed insights into the various absurdities of human behaviour, be it in the drawing rooms of London high society or the trenches of World War I.' —BBC Radio 4 Programmes, 2011.
'Forgotten Author, Stacy Aumonier … , like O.Henry and Saki, could condense a life into a few pages. … In the 1920s, he became unrivalled as a short story writer. … Perfect with a hot toddy on a cold night.' —Christopher Fowler, The Independent, London, 2011.
'Stacy Aumonier is one of the best short-story writers of all time.' —John Galsworthy (winner of the Nobel Prize for Literature).
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